After unhitching her camper at a lakeside in the mountains, Faye finds her rhythm cooking meals, retrieving crawfish from a trap, and scanning her old box radio for a station. She looks expectantly at the approach of a car or the mailman, explaining to neighboring campers that she’s waiting for a childhood sweetheart she hasn’t seen in decades. When he does arrive, Lito and Faye, both widowed, spend an evening reminiscing about their lives, losses, and loneliness. A whimsical romance, Max Walker-Silverman’s captivating debut feature shows an "American West" full of quietude, compassion, and introspection. It’s both naturalistic and vaguely surreal, blurring our sense of time and beauty, loss and vivacity, the grandiose natural world and intimate humanism. Career performances from Dale Dickey and Wes Studi bring an inescapable presence to people we don’t often see portrayed on film. They are gentle outliers possessed of resilience and existential spirit, seeking to process something elusive: a feeling of love for what’s no longer there. Like Faye turning her radio dial, they listen hopefully for the faint trace of a song.
活过、爱过之后陷入孤独的人，前路在何方。总得有个盼头，而这个盼头不能寄望于别人，关键还是自己。生活，悲伤、孤独、反复，却也无限可能，处处美好，不要遗憾，不要放弃。
还好阴差阳错的没有提前离开，赴了约，有了能回味的一日一夜，梦醒之后也能释怀。Set self truely free. 在焦急等待的时刻，说的最多是“I don't know"，即使占据风景最好的7号营地，心思也无意在那山川湖海。直到事情有个真正的发生和结束，终于可以重新出发了。可爱的牛仔五人组；爱中胆怯迷茫的黑人les
Peaceful！就覺得特別好，什麼深情險阻都可以波瀾不驚。而女主的戲其實很難演，特別是這樣的情感表達。
2.5 標配的鄉村劇情，但真的會麻
7分。年轻人会羡慕，而我却羡慕不起来。一人一车一山一水，我即世界。不在乎别人的看法，也没有不必要的社交。可以很多年等一段感情，也可以在失望后洒脱上路。如果能拥有女主这样心态，孤独也不会寂寞，不需要爱的滋润也能活下去，那么这样的人生肯定是值得钦佩的。但我不羡慕她，因为我知道自己没有这么洒脱，也知道这么多年的思念一旦崩塌对我打击有多大。山水再美，独享不如与人分享。不过，这世上真有这样的人，他们的人生很不一样，因为这样的特别而极其浪漫，极富诗意。