1779. Eight-year-old Ludwig van Beethoven, called "Louis", is already known as a musical prodigy. He learns to go his own way - much to the dismay of the people around him. Some years later, he meets Mozart during times of political upheaval. The unconventional genius and French Revolution are sparking a fire in Louis' heart he doesn't want to serve a master - only the arts. Facing times of family tragedies and unrequited love, he almost gives up. However, Louis makes it to Vienna to study under Haydn in 1792, and the rest is history. Who was this man, whose music has since touched countless hearts and minds? At the end of his life, the master is isolated by loss of loved ones and hearing. Surely though, he was way ahead of his times.
作为了解音乐家某一时期的素材还是挺好的，跟小莫在一起的片段让人想起了太多德扎里的梗，有趣！最后贝九响起，影片却嘎然而止，令人难过
Good to hear
贝多芬青少年时期和临终前一年事件的混合，里面除了贝多芬也拿了莫扎特做对比。艺术家年轻时以为进入新世纪，平民能与贵族平等，但哪怕是经历了法国大革命在欧洲的影响，临终也要承认贵族的统治。片中关于身份的强调，不知是否是对欧洲现在贫富分化日趋严重的暗示？
最近一直在反复温习 贝多芬交响曲全集。觉得这部在音乐细节上很不错了。以及 关于贝多芬作曲酬金上 叙述也是很现实了，一直觉得贝多芬的作品其实不光有音乐梦想实现，对当时市场需求定位也是很准确了。
之前备课的时候，看过他的遗书，无比惊讶，伟大如他，生命的最后竟是如此的无奈、绝望和妥协。上帝给了他最美的才华，却剥夺了他用耳朵享受它的权利。青年时期的少年意气，中年的流亡在外和leben mit 耳疾并接受这一命运的安排似乎成了他无法企及的目标，他的暴躁和专制其实是不愿妥协的抗争，而这种抗争落在别人眼里便是不可理喻不可一世的傲慢和自大，所以双线条的叙述框架是蛮适合这部剧的。配角他的侄子卡尔，那个演员其实是完全没发挥出自己的颜值水平，站在了大师的阴影下，有点为他鬼魅气质的庸俗化心疼。